Alex Haley’s Epilogue in The Autobiography of Malcolm X reveals the struggle between text and document that persists throughout the book. Malcolm wants simultaneously to release a factually correct documentation of his life and present an argument about the Civil Rights Movement. The design he employs reveals the prevalence of both of these goals.
The format and writing process of the book itself is a coexistence of text and document. Haley describes how Malcolm comes to his studio in the evening and stays for hours recalling events in his past. Haley takes notes on this “stream-of-consciousness reminiscing,” recording an oral history in Malcolm’s exact words (449). Then Haley “separate[s] [the notes] under the chapter headings they would fit,” organizing the information into a cohesive narrative (452). Rather than offering Malcolm’s exact ramblings, the autobiography is Haley’s interpretation of these memories into a storyline. The book is a literary text that utilizes the primary source of Malcolm X’s words.
How Haley tells the story also concerns Malcolm, as he wants to tell the truth in his memoir but also has a reputation he must uphold. Haley outlines specific moments in the text when Malcolm must prioritize his goals. At one point, Malcolm admits that he bluffed while playing Russian roulette on himself. He claims that he “want[s] to tell the truth,” but in the end decides to leave the text how it is, considering that “too many people would be so quick” to judge his current actions based on that past lie (478). After Elijah Muhammad outs him from the nation of Islam, Malcolm has to choose whether to alter the many instances where he fervently praises Muhammad. Those moments in the text heavily contradict Malcolm’s new opinions and their fanaticism probably embarrasses him in his new knowledge, but he also leaves those pages untouched. To Malcolm, it is important that they “stand the way [he] told [them]” and accurately represent his state of mind at the time (473). Malcolm has the difficult task of balancing the truth that he feels must be told and the perception of him the reader will have.
Although at times it appears to hinder the creation of a cohesive book, the conflict between text and document is ultimately beneficial, allowing The Autobiography of Malcolm X to take many forms, from celebrity memoir to recorded history to political argument.
Works Consulted:
Class Discussion Notes Ali. 27 Sept.-26 Oct. 2011.
Class Notes. 26 Sept.- 27 Oct. 2011.
Textual Response Forum Ali. 28 Sept.-26 Oct. 2011.
X, Malcolm, and Alex Haley. The Autobography of Malcolm X. New York: Random House, 1965.